digital zoom

Digital zoom: best avoided

Whenever I'm asked for quick tips for better smartphone photos, I usually proffer the same advice that I give to any other type of photographer: get closer and tuck your elbows into your body. But with smartphones (or indeed with some point-and-shoots) that first pointer in augmented with an admonishment to avoid digital zoom. So that's do get closer, but don't get closer using the capability that manufacturers have baked into their devices to accomplish it. Get closer, but nix the digi-zoom.

The truth is, digital zoom sucks. One day it might not, but right now it does. It sucks because digital zoom is nothing more than a glorified cropping tool. Whereas optical zoom relies on the physics of lenses to ensure that what you see appears larger or closer, digital zoom simply crops away the extraneous pixels and enlarges those remaining in the picture. While this might get you closer to your subject—and that's rule number one—it has an unfortunate effect on your images.

Get closer!
Get closer!

By enlarging the pixels that are on display, you've degraded your picture quality. You're spreading your information more thinly over the same surface area. It's the technological equivalent of spreading one teaspoon of jam over a slice of toast rather than two. Even if the processor is clever enough to use interpolation to enlarge the image, there's probably still some degradation.

Don't believe me? Have a look at these examples and tell me which is superior. I'll bet you a friendly pound that you prefer the image where I've got closer to my subject using my hands and my feet rather than the slider on my iPhone.

The first step in the art of getting closer is to do so physically: walk in, reach in, lean in. Getting optically closer is your next step. And if you're still not close enough, take the photo with what you've got and crop in after the fact. You'll still be spreading those pixels more thinly, but at least you'll have better control over the final image.

Get really close with an Easy-Macro band
Get really close with an Easy-Macro band

And if you want to get really close, try an Easy-Macro band. It's $15 well spent.

What is zoom?

Z is for zoom. We couldn't finish off our alphabetical meander through photography's fundamentals anywhere else, could we? I've had a few people ask me, over the years, what's the difference between zoom and telephoto, and indeed is there one. Yes, yes there is a difference.

The simple explanation

Simply put, a zoom lens is one that benefits from variable focal lengths. For example, the 18-55mm kit lens that comes with an entry level dSLR is a zoom lens. At its widest point it has an 18mm focal length; at its narrowest, it has a 55mm focal length, and you can shift it to any focal length between the two. This means it spans from wide-angle to 'normal' focal lengths, giving it a fair degree of flexibility and making it useful as a first lens.

focal_zoom_v2.png

Telephoto lenses can be zoom lenses, too, for example a 70-200mm lens. Or you can have wide-angle zoom lens, for example a 17-35mm lens. Then there are zoom lenses with focal length ranges that stretch from wide-angle to telephoto, for example 24-105mm.

Sigma's 24-105mm ƒ/4.0

Whether the focal length range is wide-angle, telephoto, or spans the two is irrelevant; it's the fact that the lens covers a range of focal lengths that makes it a zoom. If you want to put it another way: a zoom lens is the opposite of a prime lens, which has a fixed focal length.

Advantages and disadvantages

The obvious advantage of a zoom lens is that it offers you flexibility. Being able to zip from 70mm right in to 200mm with the twist of the wrist is very handy, so is having wide-angle and telephoto capability in one place. And of course they let you mess around with zoom-bursting, which is always good fun.

Christmas is coming

However, that flexibility comes at a cost. The moving parts required to give zoom lenses their zoom can compromise their sharpness, give them more noticable aberrations, and limit their apertures. Whereas you'll readily find prime lenses with fast apertures, zoom lenses tend to be a bit slower and they often have variable maximum apertures.

The 18-55mm kit lens that we spoke earlier won't have a fixed maximum aperture across its focal range. Instead, it will have a maximum aperture of ƒ/3.5 at 18mm and at 55mm its maximum aperture will be ƒ/5.6. That's a bit of a difference to a 50mm prime lens that has a maximum aperture of ƒ1.4, isn't it? (There are zoom lenses with constant maximum apertures, a 70-200mm ƒ/2.8, for example, but they're much more costly than variable aperture zooms.)

Finally, the more moving parts that you have, the higher the chances of something breaking. That's not limited to photographic lenses, but just about anything that you can build. In this case, however, zoom lenses are more susceptible to damage or failure than prime lenses are.

And what about digital zoom?

So far, we've talked about optical zoom, or a change in focal length that is achieved by moving parts and adjustments to lens elements within the lens body. Some cameras, however, don't have optical zoom capability and instead rely on digital zoom to bring you closer to your subject. Digital zoom is standard in smartphone cameras, but you'll often find it in compact cameras as an augmentation to their optical zoom capabilities.

One orchid with digital zoom. Best avoided.

Digital zoom isn't really anything other than cropping: the centre of the frame is enlarged and the edges are trimmed away. As a consequence, images that are digitally zoomed are of lower quality than full resolution photos. If at all possible, avoid using digital zoom; it won't do your photos many favours.

TL;DR

  • A zoom lens is a lens with a variable focal length
  • Zoom lenses can be wide-angle, telephoto, or span the range
  • The advantage of a zoom lens is its flexibility, but disadvantages can include lower image quality and slower apertures
  • Digital zoom isn't really zoom at all, but a form of cropping. It's best avoided.

White balance << Photography Fundamentals >> Aperture

If you want to read a much more detailed explanation of lenses, do have a look at Haje's extensive Everything about camera lenses article.