smattering

Using a string as a tripod

A DIY photo gadget that you can make from stuff you probably have kicking around in your basement or shed? All right, we are hooked!

It’s one of those completely daft projects, but it actually does work pretty well; creating one of these string tripods takes a few minutes, and if you throw one in your photo bag, it means you're never completely without support when you're out and about taking photos.

But why?

The main problem of taking photos free-hand is that your hands aren’t particularly sturdy. Myself, I find using a heavier camera makes it a lot easier (the inertia of the camera means it is reluctant to move, so up to a point, a heavy camerea is easier to hold still than a very light camera.), but what for lighter cameras? The answer might just be a String Tripod!

I often find myself thinking “Damn, if there was only a way to anchor the camera to the ground…” And that’s exactly the way a string tripod works. Basically, you pull the string taut, and the idea is that you loop the string around something firm – such as your foot, a rock, or a fence. Make the loop bigger, and you can even use it to adjust the height of the camera.

Sure, it will never replace a proper tripod or monopod, but I wouldn’t be surprised if you gain a couple of stops on your shutter time by using this system.

And the best thing? Making one of these is going to cost you less than a bottle of milk and a loaf of bread!

Competition: Win a copy of my most recent book

I wrote this. I'm proud of it. Now you can win one of 5 copies!

So it turns out that my most recent book, Focus on Photographing People, has sold 7,000 copies in under two months. That, ladies in gentlemen, is reason enough to celebrate, so I've just jacked open a bottle of bubbly.

Then I decided I wanted to share the celebrations with you lot: With a competition!

If you want a chance of winning one of five copies of my, simply fill in this Google form. The winner will be drawn on midday GMT, Monday 25 July, and announced in the bottom of this post on that date.

Competition details

What: 5 copies of Focus on Photographing People, written by yours truly, published by Focal Press.

Why: 'Cos I wrote it, and I'm proud of it selling well.

Where: Enter the competition here!

Who: You have to live on Earth and have a valid mailing address to take part in this competition. You also have to be over 13 years old (or else I can't collect your e-mail address).

When: Before noon GMT on Monday 25 July, 2011.

My new book: Photographing People


The day I was born, my father took one look at me, and walked to the nearest camera shop. He bought his first SLR camera – a Canon A1 – and a couple of lenses. I still have that camera, and it serves as a reminder of why photography is so important - and of why people decide to start taking photos in the first place.

To me, photography is very closely linked with people. Don't get me wrong, I love taking photos of landscapes, and I have been known to take the occasional still life and macro photo in my time (I even wrote a book on the latter). Nonetheless, to me, photography really comes alive when I'm taking photos of people, be it in a formal setting (like studio portraiture or wedding photos), a bit more relaxed (impromptu photo sessions with friends) or even if I'm sneaking around taking photos of complete strangers when I'm abroad somewhere.

As such, it made sense that I would write a book on how to take photos of people. A lot of hard work later, and it's going on sale imminently. Go on, you know you want a copy...

(The images in the gallery above are a small selection of the pics from Chapter 5 - 'Getting Creative')


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Creating photographic habits that stick

Have you ever noticed how you learn a lot faster when you're under some serious peer pressure? Wouldn't it be great if, when you've decided to learn a new photography technique, your social network on Facebook ramps up and tries their best to help you reach your goals?

My good friend Laurie has done just that. Combine it with the tips from my Breaking Photographer's Block article, and you're destined to learn faster than a kid the first day at school.

The trick behind HabitualApp is that you set yourself a goal: Do something for 30 days on the trot. If you miss a day, you go back to 'start', until what you are trying to do becomes part of your life - whether it is exercising every day, keeping your to-do list items low, or remembering to take a photo every day, it can help you along. Check it out on HabitualApp.

 


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What's your photographic kryptonite?

My post about being down and out over dance photography the other day garnered quite a lot of comments and more e-mails that I’ve had over a blog post in quite a while… So now I’m properly curious…  

 

Of course, there are lots of difficult things about different genres of photography. Portraits can be devilishly difficult, because it can be fiendish to get a good rapport with a model. Sports photography can be tricky because things are moving so fast – and indoor sports are even worse. Music photography can be a right bitch; landscapes are tricky because it’s all been done before; photographing fireworks is just plain hard; nude photography can be daunting because it’s a bit taboo, Food photography is hard because the photography subject spoils nearly immediately… and don’t even get me started on Macro

In fact, I can’t really think of a single genre of photography which doesn’t bring its very own set of challenges to the table… What I’d love to know, however, is which particular genre is which gets you every time… Cast your vote below, and sound off in the comments if you’ve got a particular arch-enemy!

What do you think is the trickiest photography subject?

View Results


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Clean your imaging sensor!

DSLR sensor chips collect dust. That is a Photoshop-time-consuming fact of digital life. At The Sun, whenever we send in our DSLRs to be otherwise repaired, one nice little bonus is that (along with the obscene repair bill) they come back with a freshly cleaned CCD.

Which, of course, lasts for about a week. Two if you are lucky. 

 

You may not even notice that you have dust at all, until you stop down and shoot with a wide lens or macro. Then, all of a sudden it looks like you are looking through an electron microscope or something. Eww.

Heck, I used to even keep a little sticker on one of my bodies to denote which one had the “cleaner” (and I use the term in the relative sense) CCD. That was so I would know which one to use if I needed to shoot something at f/11 or higher.

Read the rest of David’s article over on the Strobist blog!


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© Kamps Consulting Ltd. This article is licenced for use on Pixiq only. Please do not reproduce wholly or in part without a license. More info.

Your pet peeves...

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LF-01-040505-053.jpgI spend a lot of time looking at people’s photos, both for work, and for this website. It helps me identify where I go wrong myself. I’ve grown to realise that my biggest downfall is that I tend to use odd crops on photos, and I’m obsessive about certain aspects about my photography.

I’m curious though… Are my hang-ups and failures the same as other photographers’?

Go on, vote below or — even better — go into some detail about the faults that gets you again and again, in the comments.

(you can vote on an existing option, or add your own)

When taking pictures, what's your biggest weakness?

  • Add an Answer

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© Kamps Consulting Ltd. This article is licenced for use on Pixiq only. Please do not reproduce wholly or in part without a license. More info.

Camera theory

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eye.jpgI just found the best web page ever. I know, it’s a bit of a tall claim, but I think it’s probably the truth.

What if there was a web-site out there that explained in great detail how cameras work, history of photography, and offer up a ton of cheap mods you can do to a camera to broaden its use to astrophotography, micro photography, and lots of other nifty stuff? Yeah, I thought that’d catch your attention! 

 

The page in question is On Camera Creation, Standards, and Custom-made Cameras. It’s an amazing article on Digit-Life.com, and covers a tremendous number of big topics, including how cameras are built, how they work, how lenses attach to your camera, how focussing works, how shutters, aperture and… and…

Okay, so the article is a bit on the rambly side, but it’s an excellent read. What are you still reading this for? Go read the article!


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Try before you buy: Rent glass!

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rentglass.jpgA good way to get to grips with camera equipment is to go out and rent some. Here in the UK, I’ve found Calumet Photo to be an invaluable source of expensive glass on a temporary basis (they also have a presence in Germany, Holland, and the US), but I just stumbled across a brand new concept: On-line lens rental! 

 

It is such an obvious thing to do, but I guess it’s like Columbus’ egg – you have to think about it first. Of course, you can’t keep a good idea to yourself for very long, so when I started to look for it, I actually found two companies that do on-line camera equipment rental – One of them is Ziplens, and the other is the unimaginatively named RentGlass.

As far as I can tell, they both only cater for the US market, but hey – it’s a brilliant idea, and I bet it’s only a matter of time before the concept goes around the planet.


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Intro to digital photography

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Picture-24.jpgOne of my old mates pointed out that the DIY network has a surprisingly thorough introduction to digital photography.

It appears as if the article series is mostly just a transcript or summary of a television programme, but the articles are very well written, interesting, and have a series of “further reading” links. Although I knew all of this before, I just wasted an entire afternoon reading all the links. Highly recommended, in other words :)


Do you enjoy a smattering of random photography links? Well, squire, I welcome thee to join me on Twitter -

© Kamps Consulting Ltd. This article is licenced for use on Pixiq only. Please do not reproduce wholly or in part without a license. More info.